MARINA ABRAMOVIC
THE FREEING SERIES
Curated by Helena Juncosa
MAY 16 | 2017
SEPTEMBER 14 | 2017

MARTIN JOHN CALLANAN
ACTIONS
Curated by Pau Waelder
MARCH 25 | 2016
MAY 7 | 2016

FRAGMENTOS A SU IMÁN
Curated by Helena Juncosa
DECEMBER 9 | 2016
MARCH 9 | 2017

JORGE MAYET
SEPTEMBER 18TH | 2014
NOVEMBER 20TH | 2015

En esta serie, el artista implica en su reflexión estética todos los elementos que acompañan a la obra en su exhibición, es decir, lo que Kant acuñó como "parergon": el entorno de la obra; marco (si lo hay), título, notas informativas... Derrida desarrolló el concepto definiéndolo como "lo que afecta a la obra y coopera con ella desde un cierto afuera, desde los márgenes".

El artista configura Hotel+Los espejos a partir de la interrelación entre pinturas y textos: sistemas dobles y complejos con los que explora el "parergon", entendiéndolo como un espacio de juego, como una posibilidad de enriquecimiento de la pintura; una vía que permita expandir la obra más allá de los límites del cuadro, pero de forma sutil. Las pinturas pasan a formar parte de un juego que implica también al lenguaje, al contrato -precario- entre las palabras y a las cosas. >>

Girbent, interested  in issues such as the sense of the painting in the internet era, the originality, the falsehood in the art, the role the media play  and, above all, in emphasize the plentiful mystifications related to the art critic,  presents  himself as a forger and propose a false exhibition with real paintings .

The reflection on identity plays a pivotal role on Susy Gomez's artistic career. Her work evolves from the willingness
to explore the crossroads between art and spirituality, between social action and identity. Her artwork reflects on
the positioning of the contemporary subject in the world that surrounds him. It transforms and transmutes images from
the real world or their representation in the media thus conveying the fragmented and uninterrupted flow of existence.

To exhale, although this verb has many connotations, it is commonly associated to dying, to the last breath, the moment
of surrender when the soul leaves the body. It also conveys the idea of life, of exhaling as part of the act of
breathing. We tend to establish a parallelism between soul and spirit because when we exhale, when we breathe, we
are alive. By analogy something that stops being, exists no longer, comes to an end, disintegrates: like exhaling
time, when the temporal existence comes to an end. Also living, exhaling as part of the act of breathing.>>

Paradigm is the title of the fourth individual exhibition of the artist Carles Congost (Olot, Girona, 1970) at Horrach Moyà Gallery in Palma de Mallorca.

In this exhibition the artist puts forward a game of interrelations between some of his most recent projects by addressing different techniques and formats such as video, photography, painting, sculpture and drawing. >>